![]() ![]() The only thing the Magic Wand can’t do is select by object shape. Once you have selected one attribute, you can hold the Shift key to add more. Illustrator’s Magic Wand palette lets you set which attributes - Fill Color, Stroke Color, Stroke Weight, Opacity, or Blending Mode - the wand will select. A low tolerance selects a limited range of colors a higher tolerance selects a greater range. ![]() Anyone who has ever used Photoshop knows how this tool works-you select it and click a particular color to select similar colors. Rather than duplicate FreeHand’s Graphic Search And Replace dialog box, the Illustrator team has created a Magic Wand selection tool. Illustrator’s selection tools and commands have needed improvement for quite some time. Instead of just modifying the outside path of the Envelope, Illustrator’s Envelope Mesh feature adds vector paths within the Envelope to give objects a 3D appearance - we used it to make flags ripple and to add waves to water. Illustrator has broken new ground in Envelope territory. And you can modify Envelope shapes after you’ve applied them. Including the standard preset shapes (such as Fish, Bulge, Squeeze, Arcs, and Shells), as the Envelope shape for a distortion. Second, Illustrator’s version of FreeHand’s Envelope tool allows you to use any object. Best of all, you can save and store your effects in Illustrator’s Styles palette and reapply them to other objects. Applying and modifying these effects is extremely easy, and you can combine them for more variations. In contrast to FreeHand’s simple Envelopes feature, Illustrator has three different ways of distorting objects.įirst, there are Illustrator’s new Warp effects, which you control (with live previews) via dialog boxes and sliders. It’s taken Adobe a long while to match FreeHand’s object-distorting Envelope commands, but Adobe has again upped the ante. The Symbolism tools alone could have formed the basis of an entire application, so packing them into Illustrator 10 offers a genuine bonus. The Symbolism tools allow you to select a Symbol and spray it on the canvas with the Symbol Sprayer tool - for example, you can select the Sequoia Symbol and paint a forest in a couple of swaths, and still modify or replace them all (via the master Symbol) at any time. Rather than stop there, though, Adobe created a whole new way to work with Symbols. This is very helpful for cartographers or landscape artists who need to use the same object many different times on a page. Naturally you can use a Symbol as a master object to control many other objects scattered around the page. Illustrator 10's robust Symbolism tools go far beyond FreeHand’s Symbols. ![]() Although many people agreed that Illustrator needed to add a way to work with Symbols, few envisioned that the feature had much more to offer. Symbols primarily served to make one object act as the parent or master for other objects: If you changed the parent, the other instances also changed. When programs such as Macromedia Flash and FreeHand first introduced them. And Illustrator breaks new ground with improvements to some standard art tools, creating more-versatile selection tools and object-independent Styles. With Illustrator 10, Adobe once again improves on features previously introduced in FreeHand, most notably Symbols and Envelope distortion. For example, way back in version 8, FreeHand introduced transparency in version 9, Illustrator did it one better by adding effects like blending modes, feathering, and glowing edges. In the past four versions, a trend has emerged: FreeHand has come out with a feature first, then Illustrator has included the same feature one or two versions later, usually implementing it more thoroughly and with greater sophistication. In terms of head-to-head software competitions, none has been more heated than the one between Adobe Illustrator and Macromedia FreeHand. ![]() Adobe Illustrator 10 is the last version for Mac OS 9. ![]()
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